In my recreation of “Portrait of Lydia
Delectorskaya” I wished to create depth in the portrait of the woman as
well as add complexity that I felt the original lacked. I stood by my statement
and kept the two element of the original piece I found to be interesting, that
being the colors and black outline. The easiest to notice similarity between
the two would be the similar color scheme, though they are not exact. The black
outlines are present in both, but in the new painting the outlines are used
throughout the hair more and creates a spiral pattern. The new painting has
depth added with the use of shading and re-purpose of abstract shapes from the
original. I used the blue on the side of the original portrait as a way of
shading on the new painting. Other depth is added with shading and highlights
throughout the portrait in the new painting. Colors are spread out more evenly
and connect the blue contrast of the face to the green hair and the character
to the background with red added to the body.
Monday, August 17, 2015
Sunday, August 16, 2015
Work In Progress...
The first set of sketches for the drawing redo added more
detail to the face and hair with 4 option that I could do as well as two medium
options I tried for the final. Explained more below:
My PrePro sketches show four
options for the final face and hair as well as two option for the medium
(Colored pencil and oil pastels).
The top left (first one) is
smoother in line work and has an overall rounder shape to it and light colored
pencil is used to color it. The top right (Second one) is closer to the
abstract part of the original painting with a more detail put into the hair.
The bottom left (Third one) is closer to the original’s hair just smoothed out
some but has a more detailed face design and this one is colored in oil
pastels. The bottom right (Forth one) is drawn for look more realistic in the
hair with a sharp styled face design.
However, looking at the colored concept there wasn’t much interest
added to the design along the lines of the use of the color. Because I believe
that the blue on half the characters face was meant to be shading I used it as
such but with more realistic shading over the full face. Below is a work in progress of the final with
this idea:
General shading and highlighting still needs to be added as
well as the final black outline.
Objective Critique
The “Portrait of Lydia Delectorskaya”
by Henri Matisse is outlined by a somewhat thick black
line round the character of the portrait and a thinner outline separating the
colored shapes that make up the women. The face is also outlined but not around
colored shapes like the rest of the portrait. Colored shapes make up the
different parts of the head and body and give the painting an abstract look.
The colors used are unnatural and contrast from the background. The colors of
the women are cold with blues and greens while the background is warm as a red-orange
color. The large yellow-green of the face adds dominance to the painting as it
is the only bright color in the painting and, in the center of the painting,
stands out and catches the eye. The use of black lines through out the piece
allows the colored shapes to stand out. There is also a line created in the
center of the painting by the contrasting change of the two greens of the hair
followed down to the contrast of the yellow-green and blue colored shape on the
face and followed down more to the black outline of the neck. This creates a
split in the painting leading the eye down and round the painting following the
other bold black lines.
Subjective Critique
When I first found the painting “Portrait of Lydia
Delectorskaya” I felt that it was boring and unappealing. Why I felt this way
about the painting can be explained in a couple reasons. One reason being the
sloppy looking outline around the character of the painting and the line that
makes up the face. The line around the character varies in thickness and looks
smeared in some places. The outlines that make up the face just look
uninteresting as well. Another thing that stood out t be was the look of the
paint and brush strokes. The brush strokes are very visible in the paint, but
the storks don’t follow any pattern and just look unappealing. There is also inconsistency
in the shade of the paint with some spots appearing darker and lighter randomly.
Finally the lack of depth in the painting just left it looking simple and
boring. The blue half of the face appears to be like an attempt to add shading
and maybe depth to the painting but it just leaves it looking out of place.
Thinking of a way to redo the painting I would first add depth to the portrait
with shading and highlights. The colors and brush strokes look unappealing on
the original painting but I would want to still use the colors and the black
outline of the original. I find them to be interesting parts of the painting
and would want to re-use them. I also think that smoothing out the angular
shape of the character and adding more complexity to the face and hair could
make it more interesting.
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